Tag Archives: writing

advice (jami attenberg)

What I’m doing lately is writing on my iphone and emailing little bits of a new story to myself. Which is weird because I’ve never done that before. I’ve re-written the first sentence five times. I’ve got all these short emails with no subject line, just the same first sentence in the body, with the words slightly different each time.

Also I have a small green moleskine and I was making notes in it while I was driving. I can’t bring myself to look at it because I’m pretty sure it’s a mess and I’ll never be able to decipher it, and then I’ll get sad because of all those lost ideas. But anyway I am writing some fiction and that’s good.

Earlier today a friend of mine was upset because she’d been sitting at the library for hours and had gotten nothing done all day. She was sad about someone she loved who had passed away, that was the real story. It was his birthday and she missed him. It was getting in the way of her writing, and all she wanted to do was write. She’s the real deal, she gets it, she knows that the work is what carries you from one place to another. It’s your thruline.

I told her I was done talking to her, that she had to write 250 words, and then she would have done something with her day. Then she would feel better. “Bye,” I said. “xoxo.”  Later in the afternoon she emailed me and said she had written 167 words so far.

Now I have to write 250 words tomorrow. I tell her to do it, I remind myself to do it, I’m telling you to do it, too. 250 words. That’s all you have to write to have done something with your day.

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mary tabor

“The work of your life is the work you should be doing…So I say leap before you look.”

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jeanette winterson, on why writers write

“It’s why I am a writer — I don’t say ‘decided’ to be, or ‘became’. It was not an act of will or even a conscious choice. To avoid the narrow mesh of [my mother’s] story I had to be able to tell my own. Part fact part fiction is what life is. And it is always a cover story. I wrote my way out.”

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secret

music songs: sway, bic runga; failure, laura marling; acid tongue, jenny lewis; when I’m at your house, loudon wainwright; a quiet line, lucy wainwright roche/mary chapin carpenter; went to my woman; julia weldon

It was raining so hard a minute ago that they had to close the door that leads to the backyard of the coffee shop, where you can sit at the picnic table and see the sky and smell someone making hamburgers. Now it’s over, but it was thrilling while it lasted. I love rain. Rain is relief.

I am still mad at some people for things they did years ago. I feel okay about that. They’re probably mad about things I did. I don’t even believe in getting over everything.

Last night/early this morning, while spelunking the internet, I found the most beautiful hashtag there ever was. It’s so good that I’m keeping it all to myself and not even telling you about it.

 

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revision advice from Jami Attenberg

A friend messaged me, asking for advice on switching from writing the first draft to revision mode. It’s a different pace, he explained, after the speed and discovery of the first draft.

I said:

"Save it as a new document called ‘final’ or ‘finished’ or something like that. Create a folder called ‘old’ and put all other versions in that folder.  This is a subtle tweak to your mindset but it works. Set a page count of edits you want to reach every day, say 25, and make sure you hit it. Work in a new physical space, a different cafe or something. It’s the breaking of first draft rituals and creating of new ones kind of thing.

Also I might change who I am writing for in this version. I feel like every draft is a letter to someone. Say the first draft is a letter to yourself, and the second draft is the letter to your intended reader, and the third draft is for your editor. (Obviously this doesn’t have to be your order.) It’s just helpful for shifting things a little bit, giving your new draft a different spin.”

More here.

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shelby foote

“When you’re working very hard you’re not lonely; you are the whole damn world.”

 The Paris Review, The Art of Fiction, no. 158

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“There is only one way to read…”

“There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag — and never, never reading anything because you feel you ought, or because it is part of a trend or a movement. Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty — and vice versa. Don’t read a book out of its right time for you.”

Doris Lessing, The Golden Notebook

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May

"Well, let it pass, he thought; April is over, April is over. There are all kinds of love in the world, but never the same love twice."

(F Scott Fitzgerald)

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what Twitter is good for

“I am giving a workshop on revision. I will basically just say, "BURN IT ALL DOWN."”

Roxanne Gay via Twitter

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Elizabeth Gilbert on self hatred and competition

“I try to remain stubborn in my gladness.”

(More here)

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